? Salsa Congresses, whats your take?

I have 3 questions for you:

  1. What is your favorite Salsa Congress in the world?
  2. If you have never been to one, which one would you most like to attend?
  3. What would you most like to see at the next South African Salsa Congress? workshops,International stars teaching? Performances? Longer parties? What?

Hamburg Congress Website

FYI: Did you know that the Hamburg 2012 Salsa Congress will have the largest contingent of SA Salsa dancers at any 1 congress ever? So where will you be from 13 – 16 July 2012 as history is being made?

I have been fortunate enough to attend 2 international congresses so far and I have become so addicted, that I intend to be at 2 more this year.

There are actually 100’s of congresses that happen every year, but I hear that 5 of those always stand out as Legendary.
Of those 5, 3 are in Europe and 2 in the States;
Swiss, Hamburg & Croatian salsa festivals in Europe.
LA & NY Salsa congresses in the states.

As i said earlier, I will be attending 2 of these 5 congresses this year and I will definitely report back on the epicness that will be taking place.

However, right now I want you to;
Give me feedback on the congresses you have been to?
Tell me which congresses you are most keen to attend to and why?
Lastly, for my SA people, I want to know that if 2012 is the year the South African Salsa congress is revived, what would you most like to see???

Comment away…..

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Today I think its time you read the words and advice from Cape Towns own (now living in the UK) Marchant Birch! – This post was written over 2 years ago, Enjoy! Its really good….

Chilly's avatarChillys Blog

* When I wrote the 3 part article ‘The Best Leaders & Followers’ I said that in the future I will post some of the emails I received  that were so good so you could read their words directly. Well, below are the words of Cape Towns own International Salsero – Marchant Birch now teaching Salsa in the UK.*

If I break it down to the most basic level, my favorite followers are women who are sensitive to my rhythm and lead, women who feel instead of think. Because following is feeling the lead and the rhythm of it, not thinking what does he want me to do? So a lady needs to be totally receptive. Here’s an analogy: Imagine the leader is like a radio station sending out signals or sound waves, and the follower is a like a radio with it’s antenna totally receptive. It’s the play of…

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The important lesson I learnt from Karel Flores

Karel Flores @ Swiss Salsa Congress

If you don’t know who Karel Flores is, then you are probably living in a Salsa Cave and you should definitely get out more. Karel is without a doubt one of the Top Salsera’s in the world today! She is also the principal female dancer in Yamulee dance company  which is one of the most recognisable dance troupes on the Salsa scene.

To clarify how good Karel is (if none of the above makes any sense), I once ran an informal survey with over 20 unbelievably talented Salseras from all over the world, including Switzerland, USA, Sweden, UK, Turkey, Mexico, South Africa…. The question was simple, who did they consider to be the best Salseras on the dance floor right now? Karel Flores featured on 90% of all lists and was actually No.1 on close to 50% of all responses.

So when I saw Karel Flores in June last year at the All Star Salsa Cruise, there was no way I was going to pass up the opportunity to dance with possibly the No.1 Salsera in the world. After working up some courage, I walked across the dance floor and I asked her to dance. She put on the sweet Karel smile and apologised, saying she would not be able to dance with me as she was just heading out of the party. She did however, promise that she would dance with me later on that evening. Unfortunately, I never got to see Karel for the rest of the evening and I was so disappointed. Truth be told, I was not too surprised that we never danced – I mean she is a World Class Salsera and I was just a random Salsero.

Chilly & Karel in Sweden

The lesson she taught me however, only happened at the party on the very next day. At some point in the evening while I was standing around surveying the dance floor, looking for the next person to dance with, I looked over in the direction of where Karel was standing. She caught a glimpse of me and flashed a smile of recognition. I smiled back and then she walked across the dance floor  (about 30 metres) and when she reached me, she said, “I owe you a dance, don’t I?”. I was dumb-struck. I mean, here was Karel Flores (a World Class Salsera) remembering that she owed me, Chilly ‘Alisar’  (a random Salsero from Cape Town who she only met for like 5 secs the previous night) a dance!!! In my mind, I was like, ‘WTF!’

After the shock wore off, I responded with “Yes, you do.” She was like, “Lets go.”I then informed her that I only dance On1 and she responded by telling me not to worry about it.

We hit the dance floor and though I was intimidated, it was an amazing dance . At the end, she thanked me for the dance, as I did her, and she went back to her friends while I let the fact sink in in that I had just danced with the Karel Flores.

The Lesson Learnt: No Matter how good or even great a dancer you are, you should always give back to the Salsa community and encourage those who are not yet at your level by dancing with them and making sure they feel included.

I have met and continue to meet a lot of Salseros and Salseras who refuse to dance with people who are not yet at their dance level. Now if Karel Flores could dance with me, who are you to refuse to dance with others?

So next time you are at a party, remember the lesson from Karel. Walk up to all those people you owe a dance and dance with them. We were all beginners once and the only way we got better was by dancing. So do just that – dance with anyone and everyone and make sure everyone feels included.

Till next Thursday….
Que Viva La Salsa y Bachata!

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My interview with SalsaPicao

This week, I am posting a Q&A done with a Fellow Salsero and Blogger – Wil.

Wil is from the United States and  has his own blog called Salsa Picao (http://salsapicao.com/) which has lots of cool videos, songs and posts about Salsa.

Wil and I have recently become acquainted and I have just done a Q&A about him and his blog. When you are done reading the post, do yourself a favour and go check out his blog and see for yourself why he is one of my favorite Salsa Bloggers.

1. When did you start your salsa blog? Why did you start it & which post is a MUST read?
I started my blog towards the end of 2011…it was actually Dec. 28th.

Having a salsa blog was something I had wanted to do for years. This was my second  attempt at blogging about salsa. I created a blog 2 years ago but I just put up a few cool patterns that I found on you-tube and I never continued with it. I think it’s probably better that I waited because now I have more to blog about with these few years I have been  dancing.

Which blog post is a must read? Well, the way I would pick is a post that I’ve personally looked at more than 5 times and that would be “Key ingredient to a great salsa dance: Salsa Music…duh”. I really enjoy this dance by Shani and Cristian. It’s such a great song that they’re dancing to and the musicality is beautiful.

When did you discover salsa dancing?
Being a child of Puerto Rican parents we would always have music playing. From traditional puerto rican folklore music to latin music like salsa and merengue.  I remember attending family weddings and always spotting one or two couples dancing salsa. These couples always looked good and sometimes everyone would just stop to watch them dance. I enjoyed it so much— it just looked like the music was actually just guiding them throughout the song.

How was your first experience taking a salsa lesson?
The first time I ever took a salsa lesson I was 18 years old. Growing up in CT all you’ll find is dance schools that focused on ballroom style of salsa. They taught me proper form, technique, I believe it was On 1 style. Back then they didn’t even teach on count. They taught using the “Quick, Quick, Slow” method. I know there are schools out there that still teach this way. I find it funny but it does help get you moving. After paying for 6 lessons  and learning probably 6 small patterns I was done with it. Didn’t take another lesson till
3 years ago.

How long have you been salsa dancing for?
I started dancing 3 years ago after my ex-wife wanted to take Salsa classes together. I was hesitant at first because I had taken classes before almost 13 years prior, but those lessons were Ballroom focused salsa. I wasn’t too impressed with that type of salsa dancing and even though I did learn some patterns I still felt like I hadn’t learned a thing, but after taking this one group salsa lesson it completely changed my mind. It was the first time I had experience On 2 style and I was just so amazed with it that I was determined to stick with it.

How long did you take salsa lessons for?
Once the On 2 bug bit me I took lessons pretty much consistently for a year and half at this dance school in CT.  Then my instructor mentioned to me that I should venture out to NY to take lessons from some of the best salseros in the world.
So I headed to New York and I jumped around from salsa instructor to salsa instructor trying to find my fit.
I started with Frankie Martinez then took classes with Eddie Torres, Melanie Torres, and Yamulee Dance Company. I finally landed with Juan and Caridad Portella from Cache Dance Studio.

What made you stay with that dance school?
Besides being awesome people I really felt that Juan’s style of teaching was what I needed to really retain what I had learned from all the other great instructors.
Pretty much every instructor teaches a new pattern for each class, but the way Juan  teaches is that he builds on what he taught you prior which makes it a bit easier to remember patterns. Also, his classes were filled with enough partners to practice with.

Any advice for new salsa dancers?
I’ve heard it from every instructor…”You need to go out dancing to get better.” It took me a long time to do this, but once you start you’ll really start to gradually improve.

Have you ever considered becoming a salsa performer?
I have been asked this question quite a few times and for me it’s always surprised me because I still feel like i’m an ‘ok’ dancer.

That being said, I have thought about it, but being the type of person I am I would want to really commit myself 150% to practice, which means it would mean hours and hours of rehearsals.
This would be very difficult for me since I have a son that I love spending time with.
Also, I never started taking salsa lessons with the intent to perform at a Congress or Festival. My goal was to able to dance on 2 timing to one of my favorite Salsa bands El Gran Combo. I was able to fulfill this goal last year when they were the featured band at the New York Salsa Congress.

Who are your 3 favorite Salsa musicians/bands and your favorite songs from them?
1. El Gran Combo  – Song: “Vagabundo” As I mentioned before, anyone who knows me knows I am a HUGE Gran Combo fan.

2. Wayne Gorbea – Song: “Estamos Chao” – This is a tough choice because there are sooo many bands/musicians that I enjoy but I’ve seen Wayne live a few times and I love the music he plays.

3. Tito Puente – Song: “Hong Kong Mambo” – Tito was a pioneer and one of the first musicians to involve dancers with his band performances. He has to be on the list.

Your most memorable dance experience?
Wow, this is a tough question to answer. I’ve had so many great experiences and some bad ones as well. Let’s start off with my most memorable WORST experience I’ve had. When I first started social dancing I was attending Jimmy Anton’s Social in New York City. This social is the longest running social that occurs every other Sunday throughout the year. I had attended Jimmy’s a few times but I was still a beginner so I was still very nervous  when I danced—but I did dance. So this Salsera asked me to dance and as we were dancing I’m trying really hard to remember patterns that i’d learned, but as most guys know – you can’t remember a thing! As we were dancing I guess the look I had on my face was that of fear because the woman leans over and tells me “Honey, relax, no ones going to kill you.” HA! I laughed about it afterwards but at first I was taken aback by her comment. Right there at that moment I realized that I was taking dancing way too seriously and that I needed to enjoy the dance. I haven’t seen her since but I would love to tell her that she had a huge impact on my salsa dancing.

My most memorable Best experience was when I attended the New York Salsa Congress and my favorite salsa band was performing—El Gran Combo. When I first started taking lessons I had set a goal for myself to be able to enjoy dancing “On 2 Timing” to the Gran  Combo performing.
It was amazing. They performed for two hours straight! I still get chills thinking about it.

Your top 3 favorite Salseras.
My top favorite Salseras? This is another tough one. I’m such a fan of so many. There are different reasons of why I like some over others. I think I’m going to have to pass on this  question because I really can’t decide. HAHAHA.

Who are your 3 favorite Salsa Dancers and why?
1. Juan Matos – I first saw Juan on YouTube and became an instant fan of his dancing. Love his styling and just seeing the music move him is really inspirational.

2. Frankie Martinez  – What I really love about Frankie is how he took salsa dancing and created his own “Afro-latin Funk” style of dancing. I’ve witnessed a few of his dance  company’s performances and they’re pretty amazing.

3. Adolfo Indacochea – Again a huge fan of Adolfo style. His musicality is tremendous.

Where do you see salsa dancing going in 5 years from now?
I’m hoping that it will continue to grow. It’s great to see these Salsa Congresses around the world and more people joining salsa classes. Salsa really did change my life and I want it to do the same for others.

Now go check out his blog Salsapicao.com

Live… Love…. Salsa!!!!

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Salsa Spins by Melissa Fernandez

Below is an article from World renowned Salsera, Melissa Fernandez who is also Luis Vasquez dance partner.

Disclaimer: This article is a bit lengthy. That being said, its a must read for anyone who is serious about improving their spinning. Enjoy!

“Come on! Who doesn’t love spinning?!  I confess. I am a spinning addict. If you know me, you know I absolutely love spinning. Spinning isn’t everything and many times one beautiful turn is way better than 12 perfect spins but now a days, spinning has taken many new shapes. Spinning with the head up, spinning with one foot in the air, pencil spinning in place, traveling spins, solo spins, one turn with a head roll and a body roll at the end, spinning in the air, everyone now a days is creating their own style of spins and this is AWESOME…Its Legend… wait for it, wait for it… DARY. Legendary- TV seris ‘how I met ur mother’

Words to become friends with:
The 3 C’s: Center, Control, Connection (Equilibrium, Momentum, Power)

Topics Below:
Center
Your Foot
Posture
Balance
Spotting
Men/Leaders while spinning their partners
Practice

 Here, share some of my spinning tips:

CENTER
Finding your center is important and its accomplished with a good posture. What is your Center? Its the thing in the stomach that gives you sweet butterflies… no, I’m just kidding. Finding your Center means finding an equilibrium within your body. It is felt when you find your balance. You will use your Center to find your Balance and vice versa.

Your Foot
When spinning, nail your spinning foot on the floor and keep it grounded on the floor. Imagine the ball of your spinning foot nailed to the floor. I mean NAILED to the floor. Next time you are spinning, just remember me saying to you ‘NAIL YOUR FOOT TO THE FLOOR!’ in a sweet way of course. If you need to me to record a voiceover saying ‘NAIL YOUR LOVELY FOOT TO THE FLOOR! please…’ Then I will. Send your email and I will forward you the MP3 voiceover 🙂 No shipping costs

Feel the floor press up against you. This spinning foot should be slightly bent. Pressure the ball of your foot down while controlling your upper body. And for the ladies, when partner spinning, keep your spinning arm light! If the follow is heavy (meaning your spinning arm), then your partner will have a hard time spinning you more than the strength in his arm will allow him too. It doesn’t necessary matter how many KILO’s or POUNDS you physically weigh, its all about HOW YOU CARRY YOUR WEIGHT. There are tiny 50k girls who make themselves heavy and men will only spin them once, and there are women who weigh a lot more and yet they know how to carry their weigh so well, that men love spinning them.

Basically two things are happening: your upper body gives you the momentum and control and your lower body connects you to the floor, which explains the smoke that comes from the floor when you’re spinning 🙂

POSTURE
Try to maintain good posture when spinning. What does that mean Melissa? Well, try not to hunch your back forward because the weight of your body will lean you forward and down. Try not to bend back while spinning, well because Cirque Du Soleil is not having auditions yet. So, try to straighten your spine. Keep your hips and torso aligned when spinning. Try not to let your hips go first, and then your upper body and vice versa.

BALANCE
Create a balance with your body. Create a what?! Thats right! A balance with your body. Hmm, not such an easy thing to do. To some it comes naturally and to others (like me) it can take months to discover; Its when your body is in harmony and you feel like you are flying with control.

 Try this technique I teach in my workshops: 
Start off with your feet together, standing still, feet apart at shoulders length, now straighten up… pick up one leg up in the air, as high as you can. With your left hand up in the air, point your right index finger in the air and yell ” I love you Salsa!” Just kidding!

Seriously, start pick up both heels off the floor, keeping your weight on the balls of your feet, using your toes if you need to, when you find your balance, pick up one leg off the floor. Keep the grounded foot slightly bent. Keep the ball of your grounded foot on the floor and be on the ball of your foot as much as you can. The trick is to keep the ball of your foot on the floor and the other in the air. When you have found your balance, start playing with your foot in the air! Create different moves, point your foot, flex it, lift it as high as possible, create different shapes with your leg, the one that is up in the air that is. When you feel accomplished with this practice, then the real run starts when you can challenge your body to move in different directions, of course, all in while keeping the ball of one of your feet grounded (“nailed to the floor”) and your heel as high as you can up! Feel the floor pressing back at you. Then switch feet and test your balance. This is a great solo technique you can practice by yourself.

Spotting
When spinning, spotting is crucial! Spot at your eye level. We come in different heights, so find a spotting point that is based to your own eye level. Keep your eyes on a stable point of reference, then turn your body as much as you can in your spinning direction, keeping your head locked in its original point of reference. And when your torso/upper body can’t give any more, then turn your head and shoulders to complete a single turn, meaning that you return to the original position. Don’t try whipping your head around and leaving your upper body behind, this will actually slow down the other remaining turns, if its more than one turn. Spotting in Ballet and spotting in Salsa are similar but different, very different. In partner Salsa spotting, the follow must (MUST– in capital letters and possible in Bold, notice how its not in italics:) ) stay connected with his/her partner for it is he or the lead that is spinning you/the follow. As a lady/follow, we spin in the direction that our partner wants us to and at the timing/speed/velocity that he wants us to so connection is a MUST. And don’t look down! There’s nothing on the floor. You have two feet. YES!!! I am sure someone will tell you if you have three! So keep your eyes at your eye level. If you look down, you could become dizzy.

Keep your arms close to your body in neutral position (if u don’t know what neutral position is, then you haven’t taken one of my workshops and now you are in trouble) The control of the spin comes from the your core and your arms, the spin comes from your preparation: meaning your shoulders. If you are turning to the right, then prepare your upper body slightly to the left. And you if you are spinning to the left, then prepare slightly to the left… no, to the right! (for those of you that are paying attention… 🙂 Momentum and control comes from your upper body, the connection to the floor is your feet, or the ball of your spinning foot. Try not to put your weight on both feet, because you will eventually swift the weight from one foot to the other, making you lose your equilibrium.

Ah yes, lower your shoulders and breath. Its cute to watch people prepare for the spin… ready? steady? Bang!!! They take off, hold their breath and pull their shoulders up. Its cute I tell you. But its only entertaining for me to watch. If you want to become a better spinner, then relax your shoulders, smile and breath. I usually inhale while preparing and exhale as I’m coming to a stop but when the preparation gets too fast, i just hold in my breath and exhale when its over.

Men/Leaders for spinning your partner:
ok, men, secure your frame and get in a comfortable position. In theory, the man should be able to move his feet while spinning the girl. Beginners should first stay to stay in place and not move his frame while spinning her and after he feels comfortable and spins her successfully, then he should start moving his happy feet:)

Remember that each girls height is different, therefore, he should stencil a halo over her head at about 2 inches above her head. Awww, an angel. The movement originates from his shoulder, which includes his entire arm (shoulder, bicep, elbow, forearm, wrist, hand and fingers), and not just his fingers as most beginners do.

Prepare the girl into spins. Give her the time to allow her to prepare with her feet, the better you both become, then u can quicken the preparation time and allow for speed. You can get so fast, that later you won’t need a real preparation. 🙂 ohhhh spinning…

And when stopping, gentlemen, be aware of when u want to stop her. Do u want to stop her because you feel she is getting out of balance? because you know a break in the music is coming and you want to hit the accent, or because your arm is about to fall off? or because you have had too many Cuba Libre’s’ and now you think its you spinning when you’re trying to make her spin?!:)

Spinning, like dancing is a communication between you and your partner. When you are ready to stop, slow down the last two (or one) turn(s) and as you see her back, and you know she is about to come around on the last turn, slowly bring down your elbow close to your rib cage, slowing down the velocity of the spin so that you can both make the spin come to a stop properly. It also helps to make eye contact with her after the spins have stopped, even though I prefer a wink:) Try not to overturn her by bringing your arm down too fast at the last minute. And don’t pull her arm down, squeeze her arm or pull her hair! These are No, No’s….

Practice
Practice is the only way to get better. Try solo spinning, ask people to spin you… Do you have how many times I’ve asked my dance partners “Spin Me!! :)” Ask politely or demand it. You want to get better you need to practice. Happy Spins.

And sometimes we need Sad Spins… Sad Spins? YES! Unsuccessful spins. These spins only allow us to meet our challenge and get better. Do you get dizzy? Fall out of balance? Fall on the floor? Well, what do you do when you fall? you get right back up and TRY IT AGAIN 🙂

Realize what you are doing well, find the harmony in your balance, core, body and spin again.

And don’t forget to BREATH! LOL- If you see your dance partner turning Blue, stop the spin, cross your eyes, make a funny face and smile. Remind her/him to breath. Partner spinning is like a relationship, it takes two.

And for goodness sakes people… WEAR THE RIGHT SHOES!

“Oh Melissa, I can’t spin! I’m watching all your DVD’s, I’m following your spinning techniques but I just can’t manage. Porque?”

“Well, Smarty Pants, maybe its because you are wearing rubber soled shoes and well, you are practicing in the cement parking lot of Ralphs”

Have a Beautiful Dancing Day!
Un Beso y Abrazo,
from the airplane over snowy mountains,
Melissa Fernandez
Seat 9A,
Flight Destination: Salsa Paradise”

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The Gentleman of Salsa – Gilberto Santa Rosa

You know, I almost always write about dancing when it comes to my weekly Salsa blog post. However, (when you think about it) the fact is there would be no dancing without the 1 essential ingredient – The Music.

Gilberto Santa Rosa

So I think its about time I wrote about the people who actually make salsa dancing possible. Today, I am gonna write about one of my favorite Salsa Musicians – Gilberto Santa Rosa, also known as “El Caballero de la Salsa” (The Gentleman of Salsa). He is a Salsa Legend who was born on August 21, 1962 and is a Puerto Rican bandleader and singer of salsa and bolero (slow-tempo Latin music).

Some of my favorite tracks include:
Conteo Regresivo, Fabricando Fantasias, Chinita, Ella,  Amor De Agua by N’klabe Ft. Gilberto, La Aggro Bajando & No te Vayas
just to name a few.

It was hard to even pin point it down to just these when you realise that he has about 25 albums out, spanning from 1986 – 2012. Its insane, I have actually probably only heard about 1/4 of the stuff he has ever made.

Side Note: I may actually get to see him perform live at the Hamburg Salsa Congress in July! 🙂

Anyway, lets get some history on the Gentleman of Salsa:
Gilberto was born in Carolina, Puerto Rico where he became interested in music and took part in his first concert while still a teenager. In 1976 he made his recording debut as a backup singer with the Mario Ortiz Orchestra & soon afterwards he was recruited by La Grande Orchestra, where he became the lead singer. During this time he met Elias Lopes who helped to mold and polish him as a singer.

During the 1980s, he recorded “Homenaje a Eddie Palmieri” (Tribute to Eddie Palmieri) with the Puerto Rican All Stars. He also recorded with other famous Orchestras like the Tommy Olivencia Orchestra, the Willie Rosario orchestra and the Legendary El Gran Combo.

During his career, Santa Rosa developed his own unique style of “soneo” (improvisation) in salsa that really pushed his success to where it is today. Gilberto was the first singer of tropical salsa to have a concert at Carnegie Hall Theater, in New York. Now the highlight of the evening was the four-minute unscripted addition he made to his song “Perdoname” (Forgive Me), which is without a doubt one of his improv master-pieces. You can watch a rendition of that by clicking the pic below:


Some of his noteworthy accolades & achievements:

  • Gilberto has been certified in the United States and Puerto Rico with 13 Gold albums, 13 Platinum albums and 3 Multi Platinum albums.
  • He has tasked himself with keeping Tito Rodríguez’s musical legacy alive.
  • He discovered another Salsa Super Star Víctor Manuelle, & the two released a joint live album late in 2005, “Dos Soneros, Una Historia.”

Now I want you to watch one of my favorite Salseros Jorge ‘Ataca’ from Island Touch throwing it down with Ambra Rusello from Dominican Power to one of my absolute favorite Santa Rosa tracks “Vivir Sin Ella” (Living without Her)!

P.s. See if you can spot Teddy rocking it with one of the Island Touch Girls.


Till next Thursday
Peace… Love…. Happiness & Salsa!

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The 5 Types of Leaders and followers!

Close to 2 years ago, I wrote an article on  the best leads and followers. Today I am republishing a section that dealt with the 5 different kinds of leaders and followers. This is probably part of one of the best articles that I ever wrote, so you should read it because its that damn GOOD.

The 5 different kinds of Salseras :-

The Interpreter – This Salsera interprets the mans lead with ease. She waits for the lead to indicate what the leader wants her to do and then she executes it. She is light on her feet and an absolute pleasure to dance with.

The Dancer – She is just like ‘The Interpreter’ with one unique difference; when she dances, she engages the man she is dancing with. She not only smiles and plays off the music, she is capable of both following and being independent.

The Reactor – This is the type of follower that does not really follow. What she does is maintain an extremely tight frame that enables her to react to the man rather than follow his lead. Reactors therefore require a REALLY strong lead because they are basically being carried around the dance floor.

The Predictor – This one is a really tricky one to spot. They could appear to be ‘Interpreters’ or even ‘Dancers’, the only real way to spot them is that they will normally finish off a move before the man actually leads it (the easiest way to spot this is with hand flicks and copas). Another identifying factor is when the leader sends them into a move that they are unable to accurately predict, they will stop  or do what they thought was going to happen.

The Maverick – This is the one category that, if you are in, ladies – you need to get out of, and quick. Maverick followers are ladies who are inconsiderate on the dance floor and do whatever they want, irrespective of the man’s lead. No man wants to dance with a Maverick.

The 5 different kind of Salseros:-

The Care-taker – This is the kind of Lead who has a firm yet gentle lead and is very clear on the dance floor as to what he wants the lady to do. He takes care of the lady, learns how she moves and leads her in a way that she will enjoy and find easy to follow. He takes notice of her skill level and pulls out enough moves to challenge her, yet not push her beyond her limits so she always feels good about the dance.

The Man – The Man is ‘The Care-taker’ with one main difference. He allows the lady to play with the music every now and then and to express herself. He takes care of her, while still allowing her enough space & independence to do her own thing when she wants or even needs to.

The Showoff –  This  leader usually has tonnes of fancy moves and perfect timing. They could easily appear to be ‘Care-takers’ or ‘The Man’.
So how do you spot a show off? They ALWAYS dance flashy and they do not adjust their lead to suit the lady they are dancing with. Showoffs dance for the audience and thus are always trying to make themselves look good irrespective of how the lady looks.

The Wannabe – If you are in this category, guys, get out of it fast. This type of Lead tries to execute an endless number of complex moves and turn patterns at the expense of a decent lead and timing. They basically want to be a Showoff without the Skill level that is required to be one. My only advice to you, in the words of a World Class Salsera – ‘Rather lead & execute 6 moves perfectly than do 60 moves terribly.’

Mr. Inappropriate – Remember, when you are dancing Salsa,a woman allows you to enter into her personal space. Additionally, as a follower she is placing her trust in you. Don’t abuse her trust by doing anything inappropriate to her on the dance floor. This is NOT COOL! Respect her personal space and respect her.
On the other hand, if the woman you are dancing with is your Girl-friend or someone you are flirting with & she is flirting back – well then, who are we to judge? 😉

So, which one are you?

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Always keep an eye out for Oliver Pineda

One of my favorite Salseros is without a doubt Oliver Pineda. He is the Founder and Director of Latin Motion Dance Academy in Australia and is Australia’s only 5 time World Salsa Champion with partner Luda Kroitor from ‘Dancing With The Stars’.

You can watch their 2010 finals performance at the 2010 World Latin Dance Cup by clicking the picture below:

Oliver Pineda & Luda Kroitor

Born in Australia and of Chilean descent, he has been dancing Salsa for 15 years and is without a doubt Australia’s most undisputed talent.

The thing I like most about Oliver P, is that he is one of the calmest social dancers you will ever see on the dance floor despite his status. However, when he does something big it will without a doubt be out of this world.

To understand exactly what I mean, watch Oliver Pineda & Luda Kroitor social dancing at the Hawaii Salsa Festival. Pay close attention when it gets to 2:16 – 2:22

Although passionate about Salsa and Mambo, Oliver’s dance experience also extends to Rueda, Merengue, Zouk Lambada, Kizomba, Samba, Cumbia, Cha Cha, Rumba, Afro Cuban Rumba, and all the other Latin, Modern & Ballroom dances such as Jive, Paso Doble Waltz, Slow Foxtrot & Quick Step. In addition to his dancing expertise, he is also a well known percussionist playing in some of Sydney’s top Salsa bands, mastering the timbales, congas and bongos amongst other percussive instruments.

His black belt achievements as a Martial Artist have also equipped him with an understanding of the basics of Capoeira.

To see his quickness in action, watch the best salsa steal I have ever seen and pay very close attention from 1:33 as he pulls a lightning quick steal on the dance floor at the Chile Salsa Congress in 2011.

Oliver is also proud to be the creator of his own brand of Salsa called ‘Aussie Style Salsa’ spreading this style to dancers all over the world.

He also went on to perform one of the best mens shine pieces I have ever seen at Scandinavian Salsa Congress 2010

Olivers Shines Peice

I also have to thank him for introducing me to Grupo Latin Vibe through this video at an isolations workshop he did. This is one of the simplest yet coolest isolations I have ever seen.

Another video that I like, (try and guess why) is to watch Oliver P social dancing with Tanja . You gotta love it!

So if you ever get a chance to see Oliver P on the dance floor, make sure you keep an eye out because you never know what he just might do.

Till next time;
Live. Love. Salsa!

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I love quotes and I found this blog post this Monday morning and I thought I would share it with you. I hope you enjoy reading it as much as I did.

getouttheboxinspiration's avatarGet Out The Box's Inspiration and Motivation

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“We must be the change we want to see.” – Mahatma Gandhi

“They can because they think they can.” – Virgil

“Don’t let what you can’t do stop you from what you can do.” – John Wooden

“The best way to predict your future is to create it.” – Peter Drucker

“If we are facing in the right direction, all we have to do is keep on walking.” – Buddhist Proverb

“Have a heart that never hardens, a temper that never tires, a touch that never hurts.” – Charles Dickens

“He is a wise man who does not grieve for the things which he has not, but rejoices for those which he has.” – Epictetus

“Live now, believe me, wait not till tomorrow; Gather the roses of life today.” – Pierre de Ronsard

“Whatever you are, be a good one.” – Abraham Lincoln

“Our greatest glory is not…

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Who is your Salsa Dance crush?

A Salsa Dance Crush is, by definition; someone you have a very intense desire to dance with. This person is usually someone you’ve seen on youtube – performing or teaching at a congress, or maybe even on a salsa DVD. It is also unlikely that you will ever  get a chance to dance with them due to circumstances such as location.
(P.S. A Salsa Dance Crush is different from a Salsa style crush. A Style crush is when a Salsera has a crush on another Salsera, or Salsero with a Salsero and is trying to learn to move and dance exactly like them.)

My 1st Dance Crush - Tanja

My first salsa dance crush was with Tanja ‘La Alemana’ Kensinger. I first saw her and her dance partner Jorge Ataca doing a salsa performance on you-tube over 3 years ago. Coincidentally, it was the first time I ever saw a Salsa Performance and it blew my mind. I made up my decision in that instant – one day I would dance with her.

Two Years later, I was at a pre-salsa party in Venice, Italy before going on the All-star salsa Cruise & guess who was there on the opposite side of the dance floor? After spending 1hr psyching myself up, I finally got the stones and I asked her to dance and it blew my mind that it was finally happening. I also got to dance with her 2 more times during the course of the cruise. 🙂

Now as most of you may know, Tanja is actually known for her Bachata more than Salsa as she is one half of the most recognisable Bachata couple in the world. Now, I was personally way too intimidated to dance Bachata with her, but its something I plan on doing the next time I see her, which will be at the Croatia Sun & Sea Festival in June.

There are 2 other Salseras I have had crushes on and have been fortunate enough to dance with, they are:
Anita Santos Rubin from Adrian Y Anita & Karel Flores from Yamulee

The Sexy Anita

Karel Flores

 

 

 

 

 

 

 

 

 

Salsa crushes are usually fleeting or are replaced by seeing another great dancer or performer. I have had a lot of Salsa Crushes since Tanja including the likes of Luda Kroitor and Vali Damascus. However, there is only 1 salsa dance crush I currently have that has the genuine possibility of lasting as long as Tanja’s did – her name is Magna Gopal.

Magna Gopal is in my opinion the most musical Salsera I have ever seen.

Magna Gopal

Magna Gopal was born in India and raised in Toronto, Canada. She now calls the New York/New Jersey area her home.

She is world renowned for her musicality and creative interpretation of the music, as well as her ability to follow any lead effortlessly and to spin with speed and accuracy.

She was inspired to learn salsa by the movie Dance With Me.  After a couple of lessons and a lot of social dancing, she began to experiment with the music and different ways to use her body to interpret it.  In this self-taught manner she developed a keen ability to really understand the body, and ways of explaining this to others to help them improve their dancing

Her Motto:
Learn the Rules, Master the Rules, Break the Rules.

This Salsa crush has been going on for close to 8 months now and as I can’t realistically find a congress  in 2012 that I can attend where Magna will be, I therefore see this dance crush lasting well into 2013.

Now its your turn, tell me who is your Salsa Dance Crush?

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